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On September 22, 2024, Changan Qiyuan’s new medium and large-scale high-end intelligent electric SUV – Qiyuan E07 officially opened for pre-sale. The new car is based on the Changan SDA platform architecture and provides two power systems: pure electric and range extension. The new car will be launched according to the configuration of a total of 3 models, and the pre-sale price range is 24.99-31 9,900 yuan. Officials said that the new car is planned to start mass production in October and be officially launched within the year.

Qiyuan E07 is based on the Changan SDA platform architecture, positioning medium and large high-end intelligent electric SUV. In terms of appearance, the new car adopts the popular closed front face design, the through-ring light strip is very eye-catching, and the lower surround adopts a blackened design, which increases the sense of hierarchy. With the design of diversion grooves on the left and right sides, it enhances the sense of movement. It is worth mentioning that Qiyuan E07 can also be equipped with an optional lidar and integrated into the front of the car.

The side adopts an obvious crossover style. Visually, the E07 whole car presents a subtle symmetrical balance. The roof is equipped with a practical luggage rack, the rear is equipped with a large coupe-style design, and the trunk is fully opened, which can realize a variety of shape switching, making it convenient to pick and place luggage/goods. In terms of body size, the length, width and height of the new car are 5045/1996/1695mm, and the wheelbase is 3120mm.

At the rear of the car, the new car uses a circular light strip design + a horizontal strip light group design, which echoes the front of the car. The tail design is very simple, and a large number of horizontal lines are designed, which also makes the tail look very layered.

The most striking aspect of the Qiyuan E07’s appearance is the deformable design of the rear. Compared with traditional SUVs, the C-pillar to D-pillar of the new car are covered with a large area of glass, and the rear windshield can be retractable to form a pickup cargo box.

And the second row of seats can also be fully connected to the cargo box, and the open length of the flat back door is extended to 2.5 meters, which can realize a comfortable reclining in the rear cabin. Users can easily create a luxury queen bed room for the whole car: the total length of the flat seat is nearly 3 meters, and the open length of the flat back door is extended to 3.5 meters.

In terms of interior, the new car adopts the popular large-screen + wrapping cockpit design, which is very simple as a whole. The steering wheel adopts a three-frame design, and the multi-functional area of the steering wheel adopts a button + roller design. It is also equipped with a 15.4-inch sunflower screen. The co-pilot is also equipped with a 16:9 high definition entertainment screen. In terms of materials, Qiyuan E07 uses a large number of soft coatings to improve the overall texture.

In terms of smart driving, Qiyuan E07 is the first model in Changan to officially enter the field of end-to-end large-model smart driving. The new car is equipped with a high-speed intelligent pilot assistance system, which can quickly judge lane change to high traffic efficiency lane, autonomously surpass slow cars, identify obstacles in advance and take the initiative to change lanes, and laterally move away from the car. In addition, Qiyuan E07 will also launch the industry’s only remote parking integration function in December 2024 through OTA, allowing users to activate remote parking, parking and moving functions through the mobile APP with one click.

In terms of configuration, the front row has double zero gravity seats, with electric adjustment, memory, ventilation, heating, massage and other functions; at the same time, it is equipped with a high definition AR-HUD system, up to 18 speakers (with independent power amplifier) sound system, 256 color soft light ambient light, mixed fragrance system, and four electric suction functions.

In addition, there is also a screen above the co-pilot, which is located in the position of the sun visor. After turning it down, it can be used. This way avoids the reflection caused by direct sunlight and can better prolong the use time of the screen.

In terms of safety, the Changan Qiyuan E07 adopts a new generation of safety body design. The proportion of high-strength steel and aluminum alloy is more than 90%. The key parts such as the front cover and the car body are made of all-aluminum alloy, which greatly enhances the durability and safety of the vehicle. In addition, the new car comes standard with 9 airbags and high-end auxiliary driving.

In terms of space, the 3120mm wheelbase brings enough rear legroom, and in terms of storage, there will be two relatively large hidden storage compartments after the front and rear seat cushions. Officials said that electric machinery equipment is also expected to be added in the future.

In terms of power system, Qiyuan E07 provides both pure electric and range extension power, of which the range extension version is equipped with a 1.5T range extender, with a maximum power of 105kW and a motor peak power of 231kW. In terms of battery life, the new car is equipped with a 39kWh battery pack, with a pure electric range of 200km (CLTC operating conditions).

The pure electric version also offers two-wheel drive and four-wheel drive versions. The maximum output power of the two-wheel drive version is 252kW and 165kW depending on the power, and the maximum speed can reach 201 kilometers per hour. The four-wheel drive version adopts a front and rear dual motor layout, with a front motor power of 188kW and a rear motor power of 252kW, up to 440kW, and a maximum speed of 210 kilometers per hour.

In addition, the Qiyuan E07 is also equipped with a CDC + air spring intelligent magic carpet suspension, with a body height adjustment range of 90mm, a ground clearance of up to 217mm, and a maximum wading depth of up to 600mm. The trunk can dynamically load 300kg.

It’s a different experience for Mary to play a female star as an actress in the comedy The Killer is Not Too Cold. She likes to be comfortable and eat some pot-stewed barbecue. She thinks Milan in the movie is too particular and tired. Returning to life itself is far more comfortable and comfortable than being exposed to the public eye.

Some netizens teased that Mary was an "iron heroine" and her partner actors were "flowing heroes". This time, Wei Xiang finally became the leading actor, and Mary became the green leaf. Although Mary thought it was "good to be a green leaf these years", four plays, Li Mao Dressing as a Prince, Northeast Tiger, Transcendence and The Killer is Not Too Cold, were released one after another, which was regarded by anyone as an achievement worthy of admiration by actors, and it was hard not to be concerned.

Mary said frankly that he was afraid of the audience’s disgust and dissatisfaction. Different voices will always affect her work. How to balance it? Mary has not found a perfect solution. When she meets a good work and can impress her role, she still wants to shoot. "While I am still young, I can still clap my hands, but I can’t move when I am 70 years old and 80 years old. The audience can’t see it if they want to see it. Let’s bother for a few more years."

Q

A

ICONSPRO: Milan, which you played in "This Killer is Not Too Cold", is a female star. What is the experience of a female star playing a female star? Will there be a sense of "separation" of identity?

Mary:I am going to play a female star as an actress. Life is completely different from Milan. I like to be comfortable, grounded, eat pot-stewed and barbecue in my life. I believe Milan should not be like this. (Xiaobian: Do you think this difference is interesting? ) I think she is too tired to live, and she is very particular about everything. She should be very particular about food, clothing, housing and transportation.

ICONSPRO: Some viewers think that the temperament of This Killer is not too cold and quiet is somewhat different from previous comedies, with some pathos and sublimation at the end. Do you agree?
Mary: Everyone has a different definition. You say it’s not a simple comedy. Maybe many people say that I think it’s just funny, and some people think that Wei Chenggong, the hero, has mapped many situations in his life. This is what happened on the set of an actor. All walks of life will encounter their own difficulties, and people will always encounter setbacks in their lives. Just like that crab, you make unremitting efforts, and you are not afraid of failure, so start over.

ICONSPRO: Did anything particularly touch you after reading this script?

Mary:The script itself didn’t touch me, but these people touched me, Yan Fei, the Great Devil, because (yes) our director of "goodbye mr. loser" was my Bole, an old friend of Brother Xiang for so many years.

ICONSPRO: "This Killer Is Not Too Cold" tells the story of cheating a walk-on. Did you ever get cheated when you first entered the business?

Mary:I’m lucky that I haven’t really played a walk-on like Wei Chenggong, with no words. After graduation, although I didn’t say many lines in drama, I still had roles and lines. But when it comes to being cheated, I have done an interview and said that I was cheated by a black intermediary. In other performances, I think I am very lucky.

ICONSPRO: What do you think people might get from reading this story besides getting happiness?

Mary:There are not many scenes in Milan, and some pre-history and feelings about this character have not been presented. If you want to say what kind of feeling the whole movie wants to convey to everyone, I think it is happiness, and the rest is another story. Pure is happiness.

ICONSPRO: Some viewers feel that Wei Xiang has finally become the leading actor. As an "iron heroine", do you have different feelings about working with these "flowing leading actors" Teng Ge, Allen and Chang Yuan?
Mary:Just like cooking, each of them is a kind of seasoning. They have Chili, aniseed, vinegar, salt and chicken essence, all of which have their own characteristics. Brother Xiang’s enthusiasm and seriousness particularly touched me, and it hasn’t changed for so many years.

ICONSPRO: This is the first time that I have tried a costume drama (Li Mao as a Prince) and a drama with exotic costumes (Killer). What fresh experiences do you think of these two?
Mary:From this sense of time, you have to turn yourself into an ancient costume, but I hope that in addition to this costume being an ancient person, the performance state and stories are close to our modern life, so that everyone can resonate. This is especially true in Milan. In fact, you said that the life of a star is beyond his understanding, and I can’t understand it. We are all colleagues, and we don’t know how a star lives, because every star’s life state is different, which may also be related to personal habits. Therefore, although the two of them say that their ages are different, their identities are different, and their occupations are different, I hope it is true in performance, and every emotion is the same.

ICONSPRO: Recently, there are four plays "Ba Ping", such as Li Mao Dressing as a Prince, Northeast Tiger, Transcendence and The Killer is Not Too Cold. What’s your feeling?

Mary:Afraid, really afraid, especially afraid that the audience will be disgusted, and others are particularly afraid that the audience will be dissatisfied. (Xiaobian: Do you think that I have appeared too much? ) right. I’m a person who doesn’t like to be seen in public, and I especially like to hide and wrap myself up, that is, don’t let me go on a hot search, and don’t let others see what Mary is like. What I want everyone to see is this role and this work. But as for Mary’s private life or personal part, I hope it will always be sealed and private. I think actors should completely separate work from life. When the exposure of your work is too high, there will be some other voices that will affect my work (Xiaobian: What do you mean by affecting work? ) I will be very anxious, and I will feel what I should do. I think I should shoot less. There are two kinds of voices. One is the audience. I especially hope to see the works. I hope you can shoot more. I said I had a second child two days ago, but many fans are still unhappy. Don’t, you should shoot more pictures of your body. This is a wave of voices. There is another sound that you should stop filming. Have you been kidnapped? Take a break. I’m tired of you, and it’s hard for me. If you don’t listen, sometimes you can really see it. If you see you, you really can’t take it to heart. If you don’t get angry, you should let nature take its course. When you meet a good work that can impress me, I still want to shoot it. While I am still young, I can still beat it. You can’t say that you can’t act in your seventies and eighties. There’s nothing you can do. The audience can’t see it if they want to. Give it a few more years.

ICONSPRO: The roles of these four works are quite different. Did you do any special design for a certain role when shooting?

Mary:I don’t like design. Every character I shoot is different. Although it is the shell of Mary and the image of Mary, I really do some preliminary work with great care and delicacy. Like the coach in Transcendence, which is being broadcast now, I like it very much. She broke a routine state. Is the coach’s severity, she has, but more of a feminine aura, gentle and warm, which I think is shining. When I saw this role, I felt it was shining. I want to thank the director for giving this role life and imagination.

ICONSPRO: The roles of Meiling in Northeast Tiger and Wu Qinghong in Beyond have been well received. Many viewers said that Mary used to be such a good actor in drama. Will he try more types in the future?

Mary:I have seen such comments, but I don’t want different voices to affect me. Like before, I have made some serious dramas, and there will be some voices saying that you still want to play comedies. When you made some comedies, he said, Mary, why do you always play comedies? Give me some serious dramas. At that time, if you find yourself really influenced by these voices, you lose yourself and you lose your direction. Although we serve the audience, we still have to rely on our own feelings professionally. A professional actor can’t be picky, but he should let nature take its course and seize the good role.

ICONSPRO: You just said that you can’t be choosy about a word. Are there any constant standards for taking a show now?

Mary:This is a contradiction, this is a two-way street, saying that you can’t be picky and be very elegant at the same time, and there will be many plays for me. This year, we really think these are not bad. I can’t guarantee the other parts. The part of my role is that our team has polished it carefully. Under our ability and authority, we can do our best, because we have no right to change other people’s plays, and I am not that kind of player. When I come, I will change the whole play, mainly me. Of course, the audience wants to see me, I am very grateful, but we also have empathy. I am willing to be a green leaf based on others. I think it is good to be a green leaf these years. (Xiaobian: Will making green leaves make you feel more comfortable? How to say it, it’s natural that you have no selfishness. I didn’t say how he plays more than me. I don’t have this concept. But now the audience will also want to say that Mary, I bought a ticket for you, and your play is so little. Are you lying to me a little? I’m embarrassed again, because the director has a comprehensive consideration in his mind in the early stage. I think you should do your job well, and I don’t like to fight for anything.

ICONSPRO: The Northeast presented by you and the actors in Mahua FunAge is optimistic, loquacious and funny. The Northeast presented in The Northeast Tiger is depressed and broken, and the Northeast presented in Beyond is simple, warm and powerful. As a northeast person, what do you think of the Northeast?

Mary:I am from the northeast, so my home in the northeast, you said, will be the warmest place and the most loving place. On the road, because I am an actor now, many people know me. Even if they don’t know me, it is most sincere to help each other. I think this enthusiasm and sincerity of the Northeast people is very touching and true.

ICONSPRO: What’s the favorite custom in Northeast China?
Mary:The whole family set off firecrackers to eat jiaozi. I think family reunion is what I miss most.

ICONSPRO: Will you invite relatives and friends to watch your own movies?

Mary:I will. After being an actor, it has become a habit now, that is, I still want to invite my relatives and friends to see a good movie.

—　THE

　　Recently, a video about the price of changing TV screens exceeded that of buying a new TV, which attracted attention. Many consumers are puzzled that the cost of changing TV screens has reached 70% to 80% or even exceeded the price of the whole TV. In this regard, some people in color TV companies said that it is normal to change the screen more expensive than buying a new TV. Especially for low-end TVs with lower prices, the screen cost accounts for a higher proportion of the whole machine price. If you add increasing labor costs, the screen change price will exceed the price of new machines.

　　Professionals also remind consumers that from a technical point of view, it is not recommended to replace the core components of digital products separately, and it is not recommended to change the screen of TV sets that have been used for a long time.

　　Why does it cost 4600 yuan to change the screen of a TV bought for 2700 yuan?

　　Recently, a video of "2,700 yuan to buy a TV replacement screen actually needs 4,600 yuan" has attracted attention. The author said in the video that he spent 2700 yuan to buy a 75-inch TV set, but the accidentally broken screen needs to be replaced. After contacting the official customer service of the manufacturer, the price of changing the screen was as high as 4600 yuan. Consumers are dissatisfied with this. "Why is the price of changing a screen so much more expensive than buying a new machine?" The consumer said that he understood the fact that the TV screen can account for 70% to 80% of the cost of the whole TV set, and he could accept it if he spent more than 2,000 yuan on maintenance, but why did he quote as much as 4,000 yuan?

　　In this regard, the Beijing Youth Daily reporter got in touch with the relevant personnel of a color TV manufacturer. The other party said that it is true that the TV screen can account for 70% to 80% of the cost of the whole TV set, but consumers ignored the labor cost of changing the TV screen. In the era of intelligent production, it is not surprising that the labor cost of the same process is much higher than that of automatic production. According to industry practice, the labor cost of changing the screen of 75-inch TV will not be less than 2000 yuan.

　　TV LCD screen accounts for 70% to 80% of the total cost.

　　It is understood that TV screen is the biggest cost in TV production. Since the popularization of LCD TV, the cost of LCD screen can account for 60% to 70% of the total cost of the whole machine. If the module cost closely related to the screen is added, the proportion will even exceed 80%. In recent years, with the development of technology, although the proportion of screens has declined, it is still an absolute big head.

　　With the continuous promotion of panel localization, the cost of LCD screen has dropped rapidly, and the market price of LCD TV has also dropped sharply. This is why the 75-inch LCD TV only sells for more than 2,000 yuan, which is only equivalent to the price of a low-end mobile phone. However, this has also caused new problems, that is, the ratio of labor cost to TV price in TV after-sales maintenance is getting higher and higher, so consumers often complain that TV maintenance price is even higher than buying a new machine.

　　The reporter of Beiqing Daily inquired from the Internet that in recent years, consumers have repeatedly vomited or complained about this matter online. In May last year, Shaoxing consumer Ren Shifu spent 3,450 yuan to buy an LCD TV. Because the inner screen was broken, it needed to be changed. As a result, he was told that it would cost 3,400 yuan to change the screen. In December, 2021, Ms. Wang, a consumer in Chengdu, reported to the media that the Xiaomi TV she bought just had a three-year warranty, and there was a screen splash phenomenon. In the after-sales process, Ms. Wang was told by Xiaomi TV maintenance personnel that "only the screen can be changed", and the overall cost was over 3,000 yuan, accounting for about 80% of the original price of the TV. "It’s too exaggerated, which is to let consumers give up maintenance."

　　Digital products often have the problem that the maintenance price exceeds the new machine.

　　In fact, it is not a TV "patent" that the maintenance price exceeds the new machine. In the interview, the reporter of Beiqing Daily learned that there are many similar problems in digital products with high degree of automatic production, especially the replacement of core components with high cost, and the total price often reaches or even exceeds the price of buying new machines. For example, the price of replacing the motherboard with notebooks, mobile phones and digital cameras will be significantly higher than the price of new machines.

　　China electronic chamber of commerce Consumer Electronics Survey Office has paid attention to such issues as "the price of replacing lenses is almost 1,000 yuan" and "the price of screen maintenance exceeds that of new machines". However, in the survey, it was found that most of the digital products repaired by consumers were old products that had been used for several years, and the components of the old models were in short supply, and the production cost at that time was more expensive. If consumers compared with the same products with better performance now, the "cost performance" would definitely be uneconomical. Consumer Miss Zhang bought a 3,000-yuan digital camera in early 2018. After four years of use, there was an unusable fault, which was displayed as a motherboard fault according to the error code. When she found the seller who bought the camera at that time, she got the answer that she could only repair it at her own expense after the shelf life, and the total price exceeded 2,000 yuan. "Now the digital camera of the same grade only costs 2000 yuan, but I am used to this machine and I really can’t bear it." Miss Zhang is in a dilemma.

　　Digital products that have been used for a long time are not recommended for maintenance, and it is more appropriate to directly replace them with new ones.

　　Some digital manufacturers told the reporter of Beiqing Daily that for such digital products that have been used for a long time, it is actually not recommended for consumers to choose maintenance, and it is more appropriate to directly replace them with new ones. "This is not only a cost consideration, but also a technical suggestion. The first is the matching degree between various components. According to this person, in the product design, manufacturers will take the service life of each component into account as a whole, and the service life is matched with each other as a whole, thus avoiding the cost waste caused by the fact that some components have reached the service life and other components can operate normally for a long time. Take an ordinary digital camera as an example. If we don’t consider the outdated performance indicators, it is recommended to use a machine for about six years. If the motherboard fails after four years of use, we may encounter problems with other components two years later. "At that time, if you give up maintenance and replace it directly, it is equivalent to the fact that this new motherboard was laid off in only two years, which actually caused more waste." Of course, he also said that if it is only a minor fault of non-core components, it is worthwhile to spend a lower cost on maintenance.

　　On the other hand, the precision integration of digital products is high, and the precision and standardization of manual maintenance and installation are definitely not as good as integrated manufacturing. Theoretically, there are also cases where the service life and performance of the same parts after manual installation are not as good as the original ones. Therefore, consumers are advised to be cautious about the overhaul of the core components of digital products.

　　Text/Reporter zhangqin Coordinator/Chi Haibo