Cost-effective choice, Mercedes-Benz GLE 699,800 can drive home

As a new generation of the Mercedes-Benz family, this car is definitely very attractive, and the overall route is round. In terms of style, the Mercedes-Benz GLE adopts the Mercedes-Benz family style, the front face is very full in the net, the design of the lights on both sides is quite beautiful, and the headlights on both sides look very energetic when lit. Looking at the side lines, the new car adopts the design of the side waist, which lengthens the visual effect of the car to a certain extent, helping to highlight the shape of the Mercedes-Benz GLE. The lateral development of the tail with two large tail lights is even more fashionable. The tail light group is also simple and generous, especially the brake lights, which echo the front daytime lights.

The whole interior can be said to be luxurious and extremely tough. The heated steering wheel is wrapped with leather material, which is practical in texture and touch. When driving, it has a good grip and makes people feel full of power. The above-center console is made of plastic, leather and metal materials, which greatly enhances the class of the whole vehicle. It is equipped with a 12.3-inch central control LCD screen, which has a clear display and a relatively clear design. The front row is also equipped with a dual-temperature zone automatic air conditioning control system, which can freely debug the most comfortable space atmosphere. Mercedes-Benz GLE is equipped with leather seats.

The length of the Mercedes-Benz GLE is 4927mm, the body width reaches 2018mm, the wheelbase is 2995mm, and the standard data is moderate. Among the models of the same class, the wheelbase of the Mercedes-Benz GLE ranks 51st. The sunroof of the Mercedes-Benz GLEGLE 450 4MATIC luxury model provides a larger field of vision, which can create a better visual environment and good sensitivity for the rear passengers, and increase the light intake for the whole vehicle. Among the models of the same price and class, the trunk volume of the Mercedes-Benz GLE ranks 23rd. The space is relatively regular, there are no obvious protrusions, and the overall loading capacity is good.

The Mercedes-Benz GLEGLE 450 4MATIC luxury model uses a 2.5 engine with a maximum horsepower of 367 and a peak torque of 500, which is matched with an automatic (AT) gearbox. The 2.5 engine is paired with a Mercedes-Benz GLE with moderate power performance, low torque is weak and hysteresis can be felt. The official measured zero-hundred acceleration score of the Mercedes-Benz GLE is 5.9S, ranking 117th among SUV models above 800,000.

The Mercedes-Benz GLE has a complete range of active and passive safety features, includingAutomatic parking,Zero tire pressure endurance tires,Automatic parking,Steep slope,uphill assist,Knee airbag,HUD head-up display,Anti-lock braking (ABS),Brake force distribution (EBD/CBC, etc.),Brake assist (EBA/BAS, etc.),Traction control (ASR/TCS, etc.),Active Noise Cancellation,Engine start stop,Side safety air curtain,Mobile phone wireless charging,Night vision system,LED daytime running lights,Front reversing radar,Tire pressure monitoring,Steering wheel heating,Body stability control (ESP/DSC, etc.),Rear reversing radar,Fatigue reminder,Remote parking,Child seat interface,Lane Keeping (LKAS)Wait for the configuration.

Of which,Automatic parkingIt can avoid stepping on the brakes for a long time or needing to pull frequently.Steep slopeIt can safely pass through steep slopes at low speeds.Knee airbagReduce the damage to the occupant’s knee in the vehicle interior during the second collision.

In order to gain a more comprehensive and objective understanding of the Mercedes-Benz GLE, you can go to the Easy Car Mercedes-Benz GLE forum and browse the messages of users who have purchased the car in history.

"The Wind Rises in Longxi": There is a spy war, and you can see the character’s character.

Taking the little people’s ideal persistence as the eye of the play, and using the type of ancient costume and spy war as the loom, the wind of "Wind Up in Longxi" blew up.

Author: and song

Chen Gong, a spy on three sides, gave his life for the overall situation; Li Yan, who lost power, re-examined the development of Shu; Xun Xu, who knows all the truth, will go to Soochow to set up a new spy network. ……

 

On May 7th, the spy war of the Three Kingdoms in "The Wind Rises in Longxi" came to an end, and the finale explained the fate of all the characters. Also, through the dialogue between Xun Xu and Chen Gong, the "trap" that runs through the whole play was resumed, and Chen Gong was lonely and brave, which made the emotional concentration of the play reach a climax.

Since its launch, the plot and emotional impact of "The Wind Rises in Longxi" have been the key to attract audiences. The drama uses ancient costume and spy war as a kind of nesting machine, taking the fall of the street pavilion as a guide, and dissects the intelligence war between Shu Han and Cao Wei from two little people, Chen Gong and Xun Xu. After life and death, love and hate, they still abide by loyalty, just as director Lu Yang explained to them, "In the face of difficulties, little people can make heroic choices."

 

High-density narration, showing the tension of spy war in ancient costume

Compared with most types of dramas, spy war dramas require more details, drama concentration and story depth. The characters often stir up the times in the dark and reveal the brilliance of human nature in the narrow gap of existence. In order to meet the characteristics of this type of drama, such as spectacle, strong plot and profound conception, many classic spy war dramas on the screen, such as Vow Silent, Hidden, Kite and Pretender, choose to expand the spy sea in troubled times.

 

Accustomed to the silent battlefield in modern history, "The Wind Rises in Longxi" sets the story in the Three Kingdoms, focusing on the secret confrontation of small people under the torrent of the times, which can be said to meet the audience’s innovative expectations for spy war dramas to some extent.

 

In a spy war between Shu Han and Cao Wei, the main characters’ multiple identities kept switching, and there was a struggle between the enemy and me. The ups and downs of characters experience made the story ups and downs and the narrative was extremely compact.

 

The design of long lines and short lines in the play has played a new role in "storytelling". Finding out that Candle dragon, a Cao Wei spy lurking in Shu Han, is a long term, while breaking the bureau after the exposure of Bai Di, obstructing the Qing Ping plan of Cao Wei’s intelligence department and cleaning the secret network of Cao Wei’s intelligence department are short term.

 

The wiring and winding of short stories are not procrastinating, and each line is relatively independent and clear. As a whole, it is complex and wonderful without losing logic. On social media, some netizens described the drama-chasing experience as "the pleasure of rising and falling, and sweeping with the stand".

 

The high-density narrative of "The Wind Rises in Longxi" challenges the double-speed playing habits of current netizens, and makes the audience slow down actively with wonderful foreshadowing. In this reversal spy war, the title of each episode, the dialogue between characters and even some small shots are "hidden mystery". Some viewers have found that some bridges that are difficult to clarify at first can find the answer after two or even three brushes. For example, Chen Gong replaced Cao Wei’s identity as an intelligence agent, but he was able to quickly match the secret code with the roadside driver, laying the groundwork for his reversal as a second-generation "Candle dragon"; After the news of the death of a generation of "Candle dragon" arrived, the camera turned to Feng Ying, the head of the intelligence service. It is self-evident who moved the hand …

Color, light and shadow, props, etc. also assist the story. The turquoise tone of Nanzheng in Shu Han and the grayish yellow tone of Tianshui in Cao Wei help the audience distinguish the regional differences; Men’s beard was an aesthetic and fashion in the Three Kingdoms period, and the beard styles and lengths of different male characters in the play coincided with their personality and status. There are not many props in the indoor scene. Production designer Han Zhong explained, "In the era of frequent wars, people are displaced and the scenery is simple, so the traditional aesthetics of’ sparse and impenetrable’ is chosen to run through the whole drama."

A forbearing and enthusiastic person with insight.

Lu Yang mentioned that he was attracted by the story "The Wind Rises in Longxi" not only because of the combination of spy war and the Three Kingdoms, but also because the little people in this era had no choice but to choose in such a fierce struggle environment.

 

In the play, the protagonists have no legendary appearance, no omniscient perspective and can’t open their "golden fingers". They should maintain a highly rational mental state in extremely complicated situations, "shield" real emotional fluctuations, and even the audience should hold their breath. A scene of where will you go, a husband and wife, is moving. While Chen Gong and his wife Zhai Yue were lurking at the same time, Zhai Yue was tortured to extract a confession after being exposed, and his life was soon over. Their last farewell was all about handing over information, and the sobs belonging to the husband and wife could only be hidden in the darkness.

 

The small emotion of "suddenly venting" in the details, even if it is subtle, also shows the strength of character. In a cold environment, it reveals warm colors. The protagonists are intelligence workers who must be heartless, but also ordinary people who are flesh and blood and have weaknesses that will be fragile.

 

In the thrilling contest and the plot of life and death, the emotional relationship between characters has also been adjusted to a certain extent. The brotherly relationship between Chen Gong and Xun Xu, the in-laws relationship between Feng Ying and Sun Ling, the uncle relationship between Guo Huai and Guo Gang, and the teacher-student friendship between Chen Gong and Li Yan are the emotional ties that connect long and short stories, and they also decode spy war and "intelligence workplace" from the perspective of social relations.

 

People can’t help themselves in troubled times, but it doesn’t mean that little people will be weakened in their ideals and beliefs. Chen Gong, the "chess eye" of the two countries, was never willing to be only a tool man. At the end of the story, he became a "chess player", seeking the optimal solution for everyone while completing his tasks, even if it was at the expense of his own life.

 

Sticking to the morality in one’s heart in one’s own way is an adventure, and it is also an amplification of ordinary people’s "fearless" and "promising". This is also the subtle empathy between the audience and the role.

 

Not only Chen Gong, but Xun Xu, who made a thorough investigation of the "Candle dragon" case, also reflected the stubborn but passionate side of most people.

 

Time goes back to Xun Xu’s involvement in the whole spy war. In the dark interrogation room, he was hanged upside down and drowned. He remembered the ordinary meal he had with his brother Chen Gong and his cousin Zhai Yue. At the dinner table, he (she) who had carried out intelligence work raised their glasses and agreed, "In order to stop fighting" and "For people like you and me to live a good life".

 

Taking this as an appointment, they rushed into the world where candlelight was swaying, but they could learn from sincerity.

 

If the narrative innovation of ancient costume and spy war type nesting makes The Wind Rises in Longxi attract the audience’s attention, then showing the emotional expression of little people who persist in their ideals and maintain their morality in troubled times will retain the audience’s heart to the greatest extent.

&&The General Administration of the People’s Republic of China dispatches and promotes the broadcast arrangement of TV series in 2022 and the topic selection planning in the next few years.

Pay attention to

& & Gather internal forces and make external contributions, and promote the development of radio and television audio-visual industry base.

What industry

& & Looking back at "Ten Years in China", I feel the real world in the image.

Three images

&&Pay tribute to the workers, and these broadcasters and collectives are commended.

Miyixian

[Video] The Lantern Festival party will debut tonight. Watch it first.

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In 2023, the first Bay Area National Fashion Industry Agglomeration and Digital Intelligence Transformation and Development Conference was held in Guangzhou.

Zhongxin. com, Guangzhou, December 11th (Reporter Jun Guo) The first 2023 Bay Area National Fashion Industry Agglomeration and Digital Intelligence Transformation and Development Conference was held in Guangzhou on the 10th. More than 300 celebrities and representatives from the fashion industry and digital economy, as well as representatives from more than 30 universities including Jinan University and South China Agricultural University attended the meeting to discuss how to release the vitality of the national fashion industry and how to use digital technology to help the industry develop with high quality.

The first 2023 Bay Area National Fashion Industry Agglomeration and Digital Intelligence Transformation and Development Conference was held in Guangzhou on the 10th. Photo by Jun Guo

The conference was co-sponsored by Guangdong Garment Industry Association, Guangdong Electronic Commerce Association, Guangdong Business Economics Association and China Education Group, and undertaken by Guangdong Baiyun College. The theme of the conference is "Guangdong-Hong Kong-Macao Greater Bay Area National Fashion Industry Agglomeration and Digital Intelligence Transformation". Ren Xingzhou, former director of the Market Economy Research Institute of the State Council Development Research Center, Fu Longcheng, vice president of China Business Federation, and Ji Wenbo, vice president of China Fashion Designers Association, and other industry experts gave speeches on topics such as "Super-large-scale consumer market and great opportunity of fashion industry in the tide of the country", "Boosting consumer service innovation to provide strong support for building a new development pattern with double cycles" and "The tide of the country calls for innovative talents in international fashion design".

In his keynote speech, Ren Xingzhou pointed out that the trend of China’s consumer fashion showed obvious stage characteristics with the development of reform and opening up. Take clothing as an example, from the imitation of fashion in Hong Kong and Taiwan in 1980s and 1990s, to the pursuit of Japanese and Korean fashion trends by some young people, to the favor of European and American fashion brands after the obvious upgrade of consumption, and to the rise of national fashion and the development of rapid consumption.

Ren Xingzhou believes that national fashion is the product of China’s sustained economic development and escalating consumption, which is determined by China’s manufacturing supply capacity, consumption scale and consumption grade. In essence, it is the dynamic balance between consumption and supply, and it is also the result of strong industrial chain, supply chain and ecological chain support. At present, the development of national fashion is facing great opportunities, and cultural self-confidence is a powerful driving force for the rise of national fashion. Digital economy is an accelerator for the development of national fashion industry, and the continuous opening up has improved the internationalization level of fashion industry.

At the meeting, Wang Xianqing, vice president of China Business Economics Association, released the Report on the Development of Fashion Industry in the Bay Area in 2023, which revealed the development trend of fashion industry in the national tide represented by clothing with data and cases, and deeply studied the layout and characteristics of fashion industry agglomeration in Greater Bay Area. (End)