Design "Beijing" Exclusive interview with BJ60 design team

  [Autohome David Aesthetics] The recently released BJ60 can be said to be a landmark new car for Beijing Off-Road. It represents the design of the "Beijing Off-Road" brand, entering a new era, and the last time was (|). What kind of value can the design work of this medium and large hardcore SUV bring to users? David Aesthetics, tells the value of design.

Autohome

  This issue of "David Aesthetics" was exclusively invited by Beijing Off-Road to chat with the main design leaders of the BJ60 design team in the evaluation hall of the Beijing Automotive Research Institute about the design of the new car.

Autohome

What kind of styling design can bear the weight of the word "Beijing"?

  The design center of Beijing Automotive Research Institute is of course responsible for more than just Beijing off-road brand. The work involves many models of the entire BAIC Group, but in the face of such a heavyweight new model as BJ60, the senior management and the design and development team have maintained considerable caution.

Autohome

  The BJ60 project started in 2019 and will be released in June 2022. In the context of the ultra-fast pace of Chinese brand design and development, the design and development cycle like BJ60 undoubtedly means more investment. Designers at all levels face more challenging work and greater pressure.

Autohome

  The pressure faced by the design team led by Shan Wei may be comparable to that ** the director team ** CCTV ****** Festival Gala. After all, even people who don’t know cars, as long as they are not "Nine Leaky Fish" or have not watched the news broadcast, will be aware ** the extraordinary status ** the word "*******" as a brand logo. So what kind ** design concept can accurately express the understanding ** the word "*******" among the general public? In the end, they sorted out the impression ** "*******": inheritance, stability and modernity.

Autohome

  Based on this perceptual cognition, the design team proposed Beijing Off-Road Design Concept 3.0 – "emotional hard core", the hard core should reflect the masculinity and reliability of the off-road vehicle, and the emotion should reflect more warmth and comfort.

  The most important core feature of the family language finally has a direction – the classic five-hole grille, the more eye-catching and optimized five-hole grille.

Autohome

  Each rectangle of the five-hole grille is also exquisite. The rectangular elements are derived from the classic feature of Beijing city – the gate tower, which takes the shape of the shooting hole of the Zhengyangmen Arrow Tower. The rounded rectangles give people a hard and warm look, while conforming to the design language of "emotional hard core" and the product positioning of BJ60’s "home and play".

Autohome

  As for why there are five holes, it comes from traditional culture. In traditional Chinese culture, we often say that "nine" is the extreme number, and "five" is the most positively balanced number, representing a balanced, stable and reliable intention.

Autohome

  At present, the overall trend of car design is biased towards exaggeration, or bigger and bigger mouth grilles, or bizarre headlights, which give consumers a stronger stimulus with more eye-catching shapes, in order to stand out among many competitors. However, the overall shape of BJ60 did not follow this exaggerated trend.

Autohome

Become an off-road vehicle user and discover the hidden wildness and tenderness

  The positioning of BJ60 is "home and play", and the design of such a set of styling styles is an in-depth analysis of the target users during the market survey at the beginning of the project. The positioning of BJ60 is higher than that of BJ40. The target users are people who like off-road and are willing to take their families to play off-road. The activity radius is large, and of course there will be long-distance self-driving needs.

Autohome

Autohome

  Perennial mixing in the off-road group, this experience makes Qiu Xu very familiar with off-road users, he is familiar with the preferences and potential needs of off-road people, and has a lot of insights beyond market surveys.

"Ele.me" is urgently recruiting Blue Knights! Unlimited experience, education, gender, full-time/part-time free choice!

Recently affected by the epidemic,

Many people choose to purchase daily necessities online.

Platform orders have surged and shipping capacity is tight!

To ensure supply,

Ele.me "Blue Knight"

Recruit!

No experience, no education, no gender

I invite you to fight side by side.

Overcome the difficulties together!

Recruitment details are as follows

????

Recruitment position

Ele.me Blue Knight, including hummingbird delivery (full-time), hummingbird crowdsourcing (part-time), can be freely selected according to personal time and wishes.

Job requirements

1. Unlimited experience, education, and gender;

2. Be in good health (can apply for a health certificate), aged 18 to 60, have a smartphone, and have experience driving an electric vehicle.

Welfare treatment

1. Running order commission, newcomer award, recommendation award, rushing order award, bad weather reward, etc. will be issued from time to time;

2. The platform provides development space and growth training, such as the "Point General Plan" to broaden promotion and job transfer channels;

3. In addition to regular personal accident insurance/employer liability insurance, the special knight will be given additional care protection for the knight and his family, including a care insurance and a care payment;

4. Hold a variety of knight care actions: summer and winter care packages, organize leisure and recuperation activities, and give free physical examination packages, etc.

work area

Arrangements can be made nearby according to personal wishes.

Application method

Full-time rider contacts:

Zhai Xihui 17301722831

Zhang Yi 18221397607

Zhang Manman 17821164187

Part-time rider:

Mobile App Store – Download Hummingbird Crowdsourcing App – Register and Run Order

Editor of this issue: Kong Xiaoyuan

The police confirmed that it was indeed "Erkang" Zhou Jie who drove over the taxi

Feature: Zhou Jie caught in the "car door crash"


    Actor Zhou Jie. Infographic



    Yesterday, two injured passengers were waiting for treatment in the emergency room of Chaoyang Hospital. Photo by Wang Guibin, Beijing News



    A passerby inspects an unlicensed Mercedes-Benz at the scene of the incident. Photo by Wang Guibin, Beijing News


    At about 3:50 am yesterday, an unlicensed Mercedes-Benz collided with a taxi on Gaobeidian North Road (Chaoyang District, Beijing), injuring three people in the taxi. The reporter learned from Chaoyang Traffic Detachment today that the owner of the Mercedes-Benz was indeed Zhou Jie, an actor who played Erkang in "Huanzhu Gege". After the incident, Zhou Jie dialed 122 to call the police, but then left the scene. Yesterday afternoon, Zhou Jie had come to the traffic detachment to deal with the accident. At this time, an alcohol test was carried out, and the test result was zero.


     
Traffic control authorities told the media in the morning that the police received two consecutive calls at about 3.53am yesterday, from a witness and "the victim claiming to be surnamed Zhou". When police arrived at the scene, they found that the accident occurred near the entrance of the No. 115 bus stop. The taxi had been pushed overboard by the "Da Ben" and hit a telephone pole. The car body was squeezed and deformed. The owner of the "Da Ben" was not found at the scene. The taxi driver and two passengers were injured, one of whom was fractured.


    This morning, the police played a recording of the incident to reporters. In the recording, the owner, who gave his surname as Zhou, clearly reported the scene of the accident and the license plate number of the Mercedes-Benz. But the police at the scene found that the R-Class Mercedes-Benz had no number plates hanging from the front and rear. Later, the police found the number plate in the trunk.


    After investigation, the owner of the car was the actor Zhou Jie. After the police checked the vehicle file database, they contacted Zhou Jie with the alarm phone number and the vehicle registration phone number respectively. The person who answered the phone claimed to be Zhou’s friend. The "friend" told the police that he would notify Zhou Jie as soon as possible and go to the traffic team to deal with it. Soon, Chaoyang police searched Zhou Jie’s residence according to the address registered by the vehicle, but still found no trace of him.


    At 4 p.m. yesterday, Zhou Jie came to Chaoyang Traffic Detachment for treatment, and said, "After the accident, I felt uncomfortable, chest tightness, dizziness, and went to the hospital for examination and treatment."


    "He wasn’t drinking," Mr. Zhou said, referring to suspicions that the other party in the accident was driving under the influence. The police conducted a breath alcohol test at this time, and the result was zero.


    The traffic control department said in the morning that the accident needs to be handled by "normal procedures", and that the collection of evidence and the identification of the injuries of the wounded will take some time. The investigation is currently underway. The police said that whether Zhou Jie’s account of the accident was true also needs to continue to be investigated. But because he called the police at the scene and reported his license plate number, the "hit and run" theory is not valid. Now it can be determined that the car did not hang the number plate as required, and the police will punish it according to law. Reporter Enron

  Related links:



  • Beijing unlicensed Mercedes hit the taxi, the owner is said to be actor Zhou Jie 2009-06-03

 

Jackie Chan "kissed wildly" Zhao Benshan, bluntly saying that Wang Leehom’s pay for filming is too high


Jackie Chan hugs Zhao Benshan and kisses wildly


Jackie Chan kisses Cao Ying


Jackie Chan hugs Leehom Wang

        Movie Network News(Photo/Yao Yao, Text/Zhang Wei) On February 3, the movie "Young Soldier" premiered in Beijing, and director Ding Sheng made an appearance with Jackie Chan, Wang Leehom, Liu Chengjun, Lin Peng, and Xin Qi Xiaofu. Zhao Benshan came to the scene specially. To express his gratitude, Jackie Chan not only took the initiative to hug him, but also kissed him, which surprised Zhao Benshan. As for Wang Leehom, who played the grumpy general in the film, Jackie Chan bluntly said that his salary was very high. "He said this price, and thought I would negotiate the price, but I didn’t." The film will be released on February 14.

Jackie Chan "kisses" Zhao Benshan, and the stars support it comparable to "The Founding of a Nation" 

        Jackie Chan’s popularity in the circle is well known, but among the many guests who came to cheer, the most eye-catching was Zhao Benshan and Xiao Shenyang. The combination of one red and one green looked quite humorous. When Xiao Shenyang first called Jackie Chan "big brother", he was interrupted by Zhao Benshan, "You can’t call it big brother, you have to call it uncle." A sentence amused all the audience. Xiao Shenyang, who has always been known for imitating, sang Jackie Chan’s "Feeling" on the spot. He thought he could get praise from the big brother, but the "vengeful" Jackie Chan said: "I can’t be as ugly as you sing!" After saying that, he repeated the original sound. In order to express his gratitude to the two of them for coming to the venue, Jackie Chan gave Zhao Benshan a special kiss when he hugged him. The venue immediately exclaimed, and then burst into laughter.

        At the premiere of "Young Soldiers", in addition to his son Jaycee Chan coming to the scene to cheer for his father, Li Zongsheng and Zhou Huajian also specially came to cheer for their old friends. The two formed a new combination "Horizon" with Jackie Chan and Wang Leehom, and sang the popular "True Hero". For a time, all the audience applauded in unison, and the atmosphere reached a climax. Wang Leehom, who is known as a "high-quality idol", not only sang the movie’s theme song "Rape Flower" aloud, but also sang his golden song "Change Yourself", which attracted the continuous screams of countless fans in the venue. Wang Baoqiang, who only had one line in the film, was also present to congratulate and sang a song "Unstoppable". Zeng Baoyi, Zhou Hui, Lin Bao and others all came to cheer for Jackie Chan.


Leehom Wang


Zhao Benshan, Xiao Shenyang


Zeng Baoyi, Jaycee Chan


Jackie Chan


Wang Leehom answers media questions after the party

Jackie Chan’s studio is full of prestige, admitting that Wang Leehom’s salary is similar to his own

        Jackie Chan, who is over 50 years old, has been filming action scenes for 50 years, and he is naturally full of prestige on the set. Even he himself said bluntly that "I am the biggest on the set", while Wang Leehom is just a "movie newcomer". Naturally, he is often called around by Jackie Chan, "I will say’Leehom come here ‘on the set, and then he will come, (I say) ‘ get out of here ‘, and he will leave." Although Jackie Chan is an absolute big brother in acting, he has to ask Wang Leehom humbly for advice on singing, "The director played the song’Rape Blossom’ on the spot and asked me to sing it. I didn’t understand it, so I ran over and asked him, because he is a genius in the music industry." 

        As one of the bosses of "Young Soldiers", Jackie Chan admits that he is never harsh on the salary of actors, and he is not stingy about Wang Leehom’s salary, "He thought I would bargain, but I didn’t, so Wang Leehom’s salary is a lot." However, Jackie Chan refused to disclose the specific figure, only saying that Wang Leehom’s salary in this drama is similar to his own. After filming for many years, he said that now he is not making movies for money. "I am not short of money at all, but I feel that as a filmmaker, I have a sense of responsibility. There are many children watching our movies, so I can’t cause bad influence on them."


Actress Lin Peng (middle)


Li Zongsheng


Zhou Huajian


Wang Baoqiang


Liu Chengjun and Xin Qi Xiaofu Dance

[Movie Network]www.1905.com Exclusive manuscript, please indicate the source when reprinting.

Next page More wonderful pictures

"The news knew" that the latest judgment on the weather on New Year’s Eve came; Summary of opening hours of Hangzhou stadiums during the Spring Festival; A number of courier companies announced that t

Today is Saturday, February 3rd, 2024.
[Weather] Light rain, 4 ~ 6℃
[Restricted] None
[Air quality] Urban AQI:36, air quality grade: excellent.
local
hot spot
(1) fall back to below zero! Hang in there for a few more days! The latest judgment on the weather on New Year’s Eve is coming!
Hang in there, the sunshine will return soon!
② Four docks, such as Wulinmen Wharf, can go up and down for free with the bracelet!
In addition to the special dragon boat, there are also interesting activities such as Dragon Drum Opening Year and Long Lin Sign-in at Wulinmen and Native Products Wharf, with three different seals, which can be exchanged for unique Chinese New Year gifts after completing the stamp collection and punching.
(3) Eighteen literary and art workers in Zhejiang Province were commended.
The Second Commendation Meeting of Young and Middle-aged Writers and Artists in Zhejiang Province was held in Hangzhou.
What are the opening hours of Hangzhou stadiums during the Spring Festival?
Do you have any plans for exercise and fitness during the Chinese New Year?
domestic
international
Spring Festival travel rush return train tickets are being robbed! Pay attention to this information when traveling.
Is it good to buy tickets for Spring Festival travel rush this year? What’s the change in the weather? What preparations should be made for travel?
From March 1st, you may earn more money!
The 2023 annual settlement processing time is from March 1 to June 30, 2024.
Gao Weidong, the former chairman of Maotai, was sentenced to life imprisonment for accepting bribes of more than 110 million yuan.
The illegal receipt of property directly or through relevant personnel amounted to more than 110 million yuan, of which 46.56 million yuan was not actually obtained.
(4) A number of courier companies announced that "the Spring Festival will not be closed in 2024"
Post, SF Express, Yunda, Debon, JD.COM and many other courier companies have announced the service policy of "No Closing during the Spring Festival".
Reporting/feedback

In 2024, the New Year’s Day box office broke 1 billion: after 146 days, the single-day box office broke 500 million.

According to Lighthouse Professional Edition, as of 12: 00 on December 31st, the total box office (including pre-sales) of new films on New Year’s Day in 2024 exceeded 1 billion, and the annual meeting of "Twinkle, twinkle, twinkle, bright stars" can’t stop! "Stealth" is temporarily listed in the top three at the box office.
In addition, as of 14: 53 on December 31, the total box office of the New Year’s Eve in 2023 (December 31) exceeded 500 million. Since August 6 of the summer holiday, the national single-day box office has once again exceeded 500 million after 146 days!
Among them, the film "Twinkle, Twinkle, Twinkle, Bright Stars" relied on the "snow field" in funa in the cinema. Since the pre-sale, the box office has been riding the dust, # 中中中中中 # # Zhang Wansen, it’s snowing! # and other topics have been on the hot search one after another, which has attracted a lot of attention.
The comedy film "The Annual Meeting Can’t Stop" released on December 29th! In two days, the box office exceeded 100 million yuan and gained a good reputation.
Source: @ Lighthouse Professional Edition
Reporting/feedback

Mai gentile: We should distinguish what is of real value to our life and prosperity.

Ethics in the Conflict of Modernity is a book published by the famous ethicist Mai gentile in the late nineties, which is an authoritative exposition of his philosophical thoughts. In this book, Mai gentile thinks that although the modern welfare state has made up for the disadvantages of capitalism to some extent and improved the living standards of most people, it has not fundamentally eliminated the greater disadvantages of capitalism, which often makes people tired and go astray in satisfying their desires, making it difficult to fully balance their interests and maintain a real cooperative life. Mai gentile hopes that people can think and study these problems, understand their social life, know how to negotiate and make correct moral choices, and become practical rationalists.

In this night when countless people revel in consumption, we hope that more people can understand the call of Mai gentile, examine their own desires and pursue a truly happy life.

Mai gentile

Mai gentile: Modernity Suitable for Modern Moral Existence

What is the subject’s desire? How are these desires felt and expressed? How are they related to the subject’s practical reasoning? These problems have changed within the social and cultural order and between different social and cultural orders. Biological needs can be constant, but the objects to satisfy desires will be very different. In Edo in the 19th century, people ate sashimi to satisfy their appetite. In Bologna in the 19th century, people’s appetite was satisfied with salsa sauce. Today, Londoners, who have gained the advantages of many families, also appreciate these two delicacies. But no matter in the past or now, the way people learn to eat at the beginning of their growth will change greatly later. Other needs and demands will also undergo the same transformation. In different social and cultural order, people’s ways to meet their needs and demands run through all kinds of life, with different family and professional roles and corresponding goals, aspirations and hopes. As we mentioned earlier, our desires are always closely linked with our emotions, habits and beliefs, which show different forms in different lifestyles. If we want to understand what is the legitimate reason of desire, we must explore the various functions of desire in those lifestyles, which have the characteristics of the social order and cultural order in which we live, and this is the social order and cultural order of modernity. In this quest, we can mainly consider some obvious problems. Opportunities and hopes, security and poverty, regrets and lamentations, aspirations and other issues all show unique modern forms.These problems come from the continuous transformation of work and are the result of the development of economic modernity since the 18th century.

We start with the question of opportunity and hope. The social and cultural order of modernity, no matter what its form, is the result of long-term economic growth and technological innovation. This long-term nature seems to be indefinite, while the growth is sometimes slow, sometimes fast, sometimes continuous, sometimes disrupted, sometimes deliberately shaped, but in more cases it is unplanned. This growth often provides new types of jobs, sometimes provides people with new opportunities to become managers and professionals, and sometimes brings rich returns to those who can dominate others’ work and occupy their surplus labor value, which often makes workers tolerate the slow growth of wages. As a result, a new system has emerged and the old system has been transformed, and perhaps the most obvious result is that schools have become places to train children and teenagers into labor. In these changes, new types of inequality, new forms of class differentiation, new contradictions and struggles, and new goals of desire and ambition have emerged. We only consider three examples of different types of desire subjects. First, workers in the 19th and 20th centuries were generally employed in mills and factories. These workers are realistic. They mainly want to improve their lives and those of their families. They never want to leave the working class. Secondly, the contemporaries who pursued social and economic success (regardless of social background) had skills, imagination and luck, and wanted to go up through the class system to achieve the success recognized locally at that time. Finally, there are contemporary people with money aspirations. They started from some resources and pursued unlimited wealth. The past and present are not satisfied with this statement.

The first kind of stories are about working-class individuals and families, both of which are the political backbone of the trade union movement throughout its history. Such stories often illustrate the necessity of taking collective action. The second kind of stories provide material for novelists and some sociologists, from which we can study the career structure of the bourgeoisie and see the changes of people at all levels of management, such as engineers or lawyers or newcomers in accounting becoming big coffee in this industry. The third kind of stories are sometimes fables of the rich, but they often record cases of habit addiction, which is an addiction to money. These stories all tell the experiences of some individuals, families and groups. Their life motivation comes not only from ambition and hope, but also from fear of frustration and failure, fear of long-term unemployment and poverty, fear of being unable to get rid of the painful work pressure and fear of debt burden.

With these hopes and fears in the macro sense, individuals have formed the forms of love and hate, harmony and hostility, which make their specific desires, tastes, emotions and habits diverse, such as eating this and not eating that, spending time with these people instead of those people, doing things in this way instead of that way, and being willing to stay here instead of there. Only three types of life are mentioned above, but other types of life are also obviously subject to the hopes and fears brought by capitalism and technological modernity. If all these are carefully studied, we need to describe people’s living situations in large quantities, explain how the subject makes choices in specific situations at each stage of his life, and how to weigh the various objects of desire, that is, regard the satisfaction of some desires only as a means to satisfy others, think that some desires have a high priority compared with others, and may painfully or happily re-examine some of his past choices. If these subjects can reflect on how to best balance their desires and lives, what intellectual, moral and social resources do they have?

In fact, they always lack some urgently needed resources, partly because their thought patterns reflect the characteristics of their living situation and partly because of the constraints of their living situation. Let’s talk about the latter first. The common point of their living situation is that they have changed in different degrees due to the influence of capital flow. At first, capital flow may be creative and productive, or destructive, or both. When capital flow can promote the development and application of new technologies, its role is obviously creative and productive, which will lead to new forms of work, such as iron and steel smelting industry in 18th century, German chemical industry in 19th century, or American information technology industry in 20th century. Capital flow is also very destructive. For example, people in a very mature and stable production mode find that their products have no market, so they suddenly and unexpectedly lose their jobs, have no source of life, and sometimes cut off the way out of their whole lives. However, no matter what people’s living conditions are, the key problem of individuals and their families’ desires lies in the relationship between the salary income they earn and the prices of goods and services they pay. People can’t just think about "what I or we want" or "what I or we should get", but what I or we can afford.

When answering the latter question, people need to constantly evaluate the object of their desire and compare its market value, because the market will change according to the demand. But demand is to satisfy any desire that may exist, and it is the need of self-recognition when people happen to have enough money in their pockets at a certain time and place, whether these needs are real needs or not, and whether these desires are the desires that the subject should satisfy. Economic growth requires people who are engaged in productive work to become consumers. In this way, people who provide goods and services to these consumers shape consumers’ tastes, make their products the object of consumers’ desires, and make consumers feel that anything the economy requires them to consume is their own needs. Therefore, these producers and consumers must be able to distinguish between what is of real value to their lives and prosperity and what is the value induced by the market. However, the market society makes it difficult for working-class and middle-class people to think and negotiate together, which is necessary for them to make the above distinction in their daily decision-making. Why do you see it?

To answer this question, we first need to study the conflicts that have occurred in a long and tangled history, in which there are many obstacles, but as a result, they have promoted economic growth or provided the market with necessities of life. From the protection of traditional rights in the British enclosure movement in the 17th and 18th centuries, to the hand-loom workers’ opposition to the use of mechanized looms to maintain their survival, to the radical trade unions’ actions to demand higher wages and better working conditions, and to the protests of urban community organizations and organizers in Chicago and Boston in the 20th century. Many things in this history should have left a deep impression on us. One of them is that people trapped in this kind of conflict can easily express clearly what they oppose rather than support, and can find all kinds of unjust things sharply and accurately, but they can’t clearly explain the influence and function of these unjust things on the correct understanding of the concept of justice. Therefore, in the face of this constructive and destructive change of modernity, ordinary people trapped in this conflict can rarely think and find an appropriate alternative concept about the direction that social and economic changes should take for themselves, so that they can more fully evaluate the ideas that various political movements have firmly believed since the 18th century.

The problem here is that modernity is used to expressing itself in its own terms, which makes it extremely difficult for people to think about modernity without these terms, so they never leave these terms, and these terms exclude the most needed concepts in radical criticism, making them useless. Therefore, we need to explain the distinctive institutionalized activity patterns and thinking habits in those activity patterns, which enables us to answer two different questions, one is about the specific form and deformation of desire in the context of modernity, and the other is about the way of thinking about our activities and life, which is quite different from modernity, but it is an indispensable element to understand modernity. But before trying to make this explanation, I’d like to make a cautious remark, especially for readers who resent my negative views on modernity.

As far as it has experienced a series of social and political freedom and liberation movements against autocracy and oppression, the history of modernity is indeed a real and admirable history of progress in some key aspects. As far as its great artistic and scientific achievements are concerned-from Raphael to Roscoe, or from Palestrina to Schoenberg, and from Copernicus and Galileo to Feynman and Higgs-the history of modernity is indeed a real and admirable history of progress. What I have said here and elsewhere is not meant to slander. However, this same modernity constantly produces new forms of oppressive inequality, new types of material poverty and spiritual poverty, new setbacks and new misleading of desire. There are many very different stories about modernity, all of which are true, but they all need a unique political and economic framework as the premise.

Ethics in the Conflict of Modernity: On Desire, Practical Reasoning and Narration (Watchman)

Author: Alasdair gentile.

Publication date: May 31, 2021

Press: Renmin University of China Press

Original title: "Mai gentile: We must distinguish what is of real value to our life and prosperity"

Read the original text

Fashion trend: the evolution of personality customization and aesthetic concept. Fashion focus: Wang Si …

Fashion Trend: Personalized Customization and the Evolution of Aesthetic Concept

Fashion Focus: Social Reflection Caused by Wang Sicong’s Custom Hairstyle Event

Wang Sicong booked Tony, a famous hairdresser, with a price of 18,800 yuan. Every hair was carefully crafted in 2 minutes, and the working hours were as high as 90 yuan per hour. This seemingly absurd move has aroused deep thinking about the attitude towards new luxury life. The change of aesthetic concept and consumption attitude is highlighted in this incident, which pushes people’s pursuit of fashion and individuality to a new height.

The new trend of fashion: the integration of aesthetics and consumption

In modern society, fashion is no longer a simple external expression, but a life attitude of both internal and external cultivation. Wang Sicong’s hairstyle incident is not only a beauty, but also a redefinition of individual image, which has triggered a profound reflection on aesthetic and consumption concepts. Aesthetics plays an important role in consumption, and people tend to measure the quality of life by aesthetic standards. Hairstyle customization is no longer just the carving of hair, but the presentation of personality and taste, thus demonstrating the pursuit of quality of life.

Personality shaping: a new realm of fashion

Fashion has gone beyond the simple trend and become a symbol of personality and taste. Hairstyle is no longer a simple haircut, but a manifestation of self-style and personality. Wang Sicong’s hairstyle incident made people start to think that the value of life may lie not only in money, but also in the pursuit of quality life. This pursuit of individuality and uniqueness leads to the change of aesthetic concepts and consumption patterns, and people begin to pay more attention to the life value brought by individuality and uniqueness.

Fashion trend of thought: the rise of aesthetic economy

The creativity and diversity contained in hairstyle design is not only the modification of hair, but also the respect for individual aesthetics. The rise of this aesthetic economy makes the fashion industry pay more attention to creativity and individuality. People are beginning to realize that aesthetics is not only a taste, but also an expression of value. Wang Sicong’s hair style incident has become a fashion topic, which has triggered in-depth discussions on aesthetic and consumption concepts and promoted the development of the fashion industry in a more diversified and open direction.

Future Trend: Personalized Customization and Quality Life

In the future, personalized customization will become an important development trend of fashion industry. People’s pursuit of quality of life is no longer limited to the material level, but more reflected in the demand for individuality and creativity. This emphasis on aesthetics will lead to the change of consumption patterns, and the fashion industry will also pay more attention to the provision of personalized and customized services. Therefore, personalized customization will become an important development direction of fashion industry in the future, leading the continuous change of consumption concepts and aesthetic standards.

Wang Sicong’s hairstyle incident is just a microcosm of the fashion industry, but it reflects the change of people’s aesthetic and consumption concepts behind it. Personalized customization is no longer just a luxury consumption, but also the pursuit and presentation of quality life. In the future, with the continuous development of fashion industry, personality and aesthetics will be more integrated, leading the society to a new definition of quality life.

What do you think?