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Taking the little people’s ideal persistence as the eye of the play, and using the type of ancient costume and spy war as the loom, the wind of "Wind Up in Longxi" blew up.

Author: and song

Chen Gong, a spy on three sides, gave his life for the overall situation; Li Yan, who lost power, re-examined the development of Shu; Xun Xu, who knows all the truth, will go to Soochow to set up a new spy network. ……

On May 7th, the spy war of the Three Kingdoms in "The Wind Rises in Longxi" came to an end, and the finale explained the fate of all the characters. Also, through the dialogue between Xun Xu and Chen Gong, the "trap" that runs through the whole play was resumed, and Chen Gong was lonely and brave, which made the emotional concentration of the play reach a climax.

Since its launch, the plot and emotional impact of "The Wind Rises in Longxi" have been the key to attract audiences. The drama uses ancient costume and spy war as a kind of nesting machine, taking the fall of the street pavilion as a guide, and dissects the intelligence war between Shu Han and Cao Wei from two little people, Chen Gong and Xun Xu. After life and death, love and hate, they still abide by loyalty, just as director Lu Yang explained to them, "In the face of difficulties, little people can make heroic choices."

High-density narration, showing the tension of spy war in ancient costume

Compared with most types of dramas, spy war dramas require more details, drama concentration and story depth. The characters often stir up the times in the dark and reveal the brilliance of human nature in the narrow gap of existence. In order to meet the characteristics of this type of drama, such as spectacle, strong plot and profound conception, many classic spy war dramas on the screen, such as Vow Silent, Hidden, Kite and Pretender, choose to expand the spy sea in troubled times.

Accustomed to the silent battlefield in modern history, "The Wind Rises in Longxi" sets the story in the Three Kingdoms, focusing on the secret confrontation of small people under the torrent of the times, which can be said to meet the audience’s innovative expectations for spy war dramas to some extent.

In a spy war between Shu Han and Cao Wei, the main characters’ multiple identities kept switching, and there was a struggle between the enemy and me. The ups and downs of characters experience made the story ups and downs and the narrative was extremely compact.

The design of long lines and short lines in the play has played a new role in "storytelling". Finding out that Candle dragon, a Cao Wei spy lurking in Shu Han, is a long term, while breaking the bureau after the exposure of Bai Di, obstructing the Qing Ping plan of Cao Wei’s intelligence department and cleaning the secret network of Cao Wei’s intelligence department are short term.

The wiring and winding of short stories are not procrastinating, and each line is relatively independent and clear. As a whole, it is complex and wonderful without losing logic. On social media, some netizens described the drama-chasing experience as "the pleasure of rising and falling, and sweeping with the stand".

The high-density narrative of "The Wind Rises in Longxi" challenges the double-speed playing habits of current netizens, and makes the audience slow down actively with wonderful foreshadowing. In this reversal spy war, the title of each episode, the dialogue between characters and even some small shots are "hidden mystery". Some viewers have found that some bridges that are difficult to clarify at first can find the answer after two or even three brushes. For example, Chen Gong replaced Cao Wei’s identity as an intelligence agent, but he was able to quickly match the secret code with the roadside driver, laying the groundwork for his reversal as a second-generation "Candle dragon"; After the news of the death of a generation of "Candle dragon" arrived, the camera turned to Feng Ying, the head of the intelligence service. It is self-evident who moved the hand …

Color, light and shadow, props, etc. also assist the story. The turquoise tone of Nanzheng in Shu Han and the grayish yellow tone of Tianshui in Cao Wei help the audience distinguish the regional differences; Men’s beard was an aesthetic and fashion in the Three Kingdoms period, and the beard styles and lengths of different male characters in the play coincided with their personality and status. There are not many props in the indoor scene. Production designer Han Zhong explained, "In the era of frequent wars, people are displaced and the scenery is simple, so the traditional aesthetics of’ sparse and impenetrable’ is chosen to run through the whole drama."

A forbearing and enthusiastic person with insight.

Lu Yang mentioned that he was attracted by the story "The Wind Rises in Longxi" not only because of the combination of spy war and the Three Kingdoms, but also because the little people in this era had no choice but to choose in such a fierce struggle environment.

In the play, the protagonists have no legendary appearance, no omniscient perspective and can’t open their "golden fingers". They should maintain a highly rational mental state in extremely complicated situations, "shield" real emotional fluctuations, and even the audience should hold their breath. A scene of where will you go, a husband and wife, is moving. While Chen Gong and his wife Zhai Yue were lurking at the same time, Zhai Yue was tortured to extract a confession after being exposed, and his life was soon over. Their last farewell was all about handing over information, and the sobs belonging to the husband and wife could only be hidden in the darkness.

The small emotion of "suddenly venting" in the details, even if it is subtle, also shows the strength of character. In a cold environment, it reveals warm colors. The protagonists are intelligence workers who must be heartless, but also ordinary people who are flesh and blood and have weaknesses that will be fragile.

In the thrilling contest and the plot of life and death, the emotional relationship between characters has also been adjusted to a certain extent. The brotherly relationship between Chen Gong and Xun Xu, the in-laws relationship between Feng Ying and Sun Ling, the uncle relationship between Guo Huai and Guo Gang, and the teacher-student friendship between Chen Gong and Li Yan are the emotional ties that connect long and short stories, and they also decode spy war and "intelligence workplace" from the perspective of social relations.

People can’t help themselves in troubled times, but it doesn’t mean that little people will be weakened in their ideals and beliefs. Chen Gong, the "chess eye" of the two countries, was never willing to be only a tool man. At the end of the story, he became a "chess player", seeking the optimal solution for everyone while completing his tasks, even if it was at the expense of his own life.

Sticking to the morality in one’s heart in one’s own way is an adventure, and it is also an amplification of ordinary people’s "fearless" and "promising". This is also the subtle empathy between the audience and the role.

Not only Chen Gong, but Xun Xu, who made a thorough investigation of the "Candle dragon" case, also reflected the stubborn but passionate side of most people.

Time goes back to Xun Xu’s involvement in the whole spy war. In the dark interrogation room, he was hanged upside down and drowned. He remembered the ordinary meal he had with his brother Chen Gong and his cousin Zhai Yue. At the dinner table, he (she) who had carried out intelligence work raised their glasses and agreed, "In order to stop fighting" and "For people like you and me to live a good life".

Taking this as an appointment, they rushed into the world where candlelight was swaying, but they could learn from sincerity.

If the narrative innovation of ancient costume and spy war type nesting makes The Wind Rises in Longxi attract the audience’s attention, then showing the emotional expression of little people who persist in their ideals and maintain their morality in troubled times will retain the audience’s heart to the greatest extent.

&&The General Administration of the People’s Republic of China dispatches and promotes the broadcast arrangement of TV series in 2022 and the topic selection planning in the next few years.

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& & Gather internal forces and make external contributions, and promote the development of radio and television audio-visual industry base.

What industry

& & Looking back at "Ten Years in China", I feel the real world in the image.

Three images

&&Pay tribute to the workers, and these broadcasters and collectives are commended.

Miyixian

　　When it comes to New Year’s Eve, what comes to mind? Have a delicious jiaozi, eat the warmth of the New Year’s Eve, or stick Spring Festival couplets and window grilles?

　　"In the sound of firecrackers, the old year is over, and the wintersweet smiles in the spring." In fact, its connotation is far from being as simple as a New Year’s Eve dinner. In the folk, "Chinese New Year" is a time period. From the early years and even the Laba Festival, people prepare new year’s goods, clean houses … and are busy welcoming the New Year. New Year’s Eve is the first "highlight".

　　Data Map: On the Lunar New Year’s Eve, the entrance of ditan park in Beijing was decorated with large door gods and red lanterns. China News Service reporter Hou Yushe

　　The Legend and Origin of New Year’s Eve

　　New Year’s Eve is also called New Year’s Eve, New Year’s Eve, Big Dark Day and so on. In most cases, there are thirty days in December of the lunar calendar, so it is also called New Year’s Eve and New Year’s Eve. When there is a small moon in December, the New Year’s Eve will become the 29th, and some areas will be renamed Erjiu.

　　Many people have done textual research on the meaning of the name New Year’s Eve. Literally, the original meaning of the word "except" is "go", which is extended to "easy", that is, alternating; The original meaning of the word "evening" is "sunset" and extended to "night", which vividly illustrates the alternation of the old year and the new year.

　　It is said that there was a monster named "Xi" in ancient China, which was particularly fierce and often hurt human beings. Until one day, a child named Nian told everyone the way to get rid of the evening beast: it was afraid of red, fire and explosion.

　　According to the method taught by the children, everyone really drove away the evening beast. To celebrate, people put on new clothes and hats one after another and went to their relatives and friends’ homes to congratulate them. The day when Xi was driven away in 2008 was called "New Year’s Eve".

　　However, according to "Lu Chunqiu Ji Dong Ji", the ancients used drums to drive out "the ghost of plague" on the day before the New Year. This is another way of saying the origin of "New Year’s Eve".

　　Data Map: The picture shows people choosing Spring Festival couplets. Photo by Lu Ming

　　Stick grilles, Spring Festival couplets … The taste of the year is also in it.

　　In the early morning of New Year’s Eve, many families will get up early and put up Spring Festival couplets at the gate. Spring Festival couplets are also called spring stickers, peach symbols, etc. The characters are neat and dual, and they simply express their expectations for the New Year.

　　It is said that the custom of posting Spring Festival couplets in the New Year originated in the Song Dynasty and became popular in the Ming Dynasty. In the Qing Dynasty, Spring Festival couplets became both exquisite and artistic. Liang Zhangju’s monograph "Poems on Spring Festival couplets" discussed the origin of couplets and the characteristics of various works.

　　There are many kinds of Spring Festival couplets, which can be divided into frame pairs, spring strips and bucket squares according to the places of use. The "frame pair" is attached to the left and right door frames, and the "spring strips" are attached to corresponding places according to different contents, and so on.

　　In the folk, people also like to stick various paper-cuts on the windows, that is, window grilles. At the same time, the word "Fu" is pasted on the door, wall and lintel. Sometimes, the word "blessing" will be pasted upside down, indicating that "the blessing has fallen (arrived)"

　　In addition, the word "Fu" can also be finely carved into various patterns, such as longevity, longevity peach, carp jumping over the dragon gate, abundant grains, dragons and phoenixes, and so on.

　　A New Year’s Eve dinner, a reunion year.

　　New Year’s Eve is extremely important for China people. In addition to welcoming the old and welcoming the new, it is one of the customs at this time to have a reunion dinner and keep the old.

　　Liang Shiqiu also said in the article that the Chinese New Year needs to be in his hometown to have a taste. "It’s bleak to travel, and there is only a sigh in the next year. How can there be a little joy?"

　　Data Map: jiaozi. Photo by Wang Yuyang

　　In the past, some dishes for New Year’s Eve were prepared a few days before the Chinese New Year. In the north, jiaozi on the first day of New Year’s Eve is also wrapped up at 30 nights, and the sounds of chopping vegetables and meat are woven together with laughter to form a cheerful movement on New Year’s Eve.

　　On New Year’s Eve, a table was filled with rich New Year’s dishes, and the whole family sat together to have a reunion dinner, enjoying both delicious food and a happy atmosphere for the New Year.

　　Generally speaking, there will be hot pot on the dining table, which symbolizes the prosperous days; In some places, you must eat fish. "Fish" and "Yu" are homophonic, symbolizing that "Jiqing has more than enough", and also pinning the good wish of "having more than every year".

　　There are these taboos in the old days, and I look forward to a smooth new year.

　　In order to express the meaning of getting rid of the old and welcoming the new, there were many taboos on New Year’s Eve in the past. For example, don’t say unlucky words such as ghost, death and murder, don’t break dishes, don’t speak ill words, and don’t spill sewage.

　　Data Map: Citizens in Huludao, Liaoning Province enjoy a sumptuous New Year’s Eve dinner with their families at home. China News Agency issued by Haiyang Photo

　　Especially at the New Year’s Eve, if some tea fruits are finished, you should say "I’m happy" or "too much" instead of saying "no" … These auspicious words are the "homework" that people must do, and adults should teach their children to say them, otherwise the New Year will not be smooth.

　　Before the New Year’s Eve dinner, many families will prepare offerings to worship their ancestors. After Zuling is invited, no one can occupy the seats on both sides of the altar; Of course, we must not make noise or swear, otherwise we will disrespect our ancestors.

　　Nowadays, with the passage of time, many taboos on New Year’s Eve have been broken, and the old customs are developing in a more scientific and healthy direction. But the only thing that remains unchanged is people’s attachment to their families: it is also the most rare happiness for the whole family to spend the whole year together. (Reporter Shangguan Yun)

1905 movie network news The film produced by, producer, screenwriter and director, starring,,,,,,, starring, specially starring,,, and friendship released a family notice. After the premiere on April 23rd, the family story of Zhang Jingyi, Sophie Su, Luo Gang and LAY in the film aroused many audiences’ empathy. The father wants his son to find a stable job, and the mother wants his son to inherit the food stall business. The desire for care and love conflicts with He An’s talk show dream played by LAY. However, even if there are conflicts, the Changsha family can always reconcile because of their love for each other, which is the meaning of family ties. LAY poked fun at his relationship with his father with a talk show in Changsha dialect, which added a sense of story to the father and son. The director showed a night of affection, friendship and love in Changsha with a big family, which made many viewers very moved.

LAY talk show dream is not understood by parents.

Zhang Jingyi confided her love for her family to YIN FANG.

After the premiere, many viewers felt deeply about the emotional story between He An and his father (Luo Gang) in the film. The typical Chinese-style father-son relationship triggered many viewers to tell stories about themselves and their parents. In the latest exposure of the family notice, LAY plays He An who pursues the talk show dream without being understood by his parents, so a family conflict broke out. He An was dissatisfied with his father because of his parents’ divorce. It was impressive to tease his father’s lines with Changsha dialect talk show: "Since childhood, my father likes to compare me with other people’s children, and I really hope that I can become someone else’s child, so he became the father of other people’s children." He An poked fun at his growing experience in the most joking tone, which made his father’s eyes flooded with tears when he first watched him on a talk show. The phrase "you are not someone else’s child, you are my baby" tells the deepest bond between father and son. In the face of family ties where blood is thicker than water, even the deepest misunderstanding will be melted by love.

For her mother, He An knew that for him, her mother tied herself to crayfish for most of her life. When He An decided to give up the talk show, it was also her mother who firmly supported her children to pursue their dreams and said, "Just do what you want to do." It is touching that a family of three embraced each other in Changsha at night.

"How long have you not had a good chat with dad? How long has it been since you ate the powder cooked by your mother? " In addition to the reconciliation between He An and his parents, people living in this city also have different fetters to their families. He Xixi (Zhang Jingyi), who wants to leave Changsha, tells the reason for leaving "I left them because I want to love them". No matter how far away from my family, my feelings for each other will not become far away. Chen Qingzhi (Bai Yufan) and Liang Baoqi (Zhou Siyu), who came to Changsha to work, felt on the Ferris wheel that "it would be great if we had a light in this city" and "I want to bring my parents to have a look", and strangers could not get over their homesickness. And "home" is also an important motif of director Zhang Ji’s creation of Changsha Nightlife.

Changsha’s happiness comes from the light radiated by every family.

Late-night food stalls contain every struggling soul.

After the premiere, the audience responded enthusiastically to the emotional concentration of the film. Many viewers said that the original impression of Changsha was more "hot", but after watching the film, they knew that this is a city full of tolerance and love. Food stalls give people the impression that they are no longer places to fill their stomachs, but also houses the tired bodies of dream catchers. Food can not only fill their stomachs, but also fill their empty souls. Whether you are a stranger working in Changsha or a dreamer about to embark on a journey, a small food stall encourages every traveler who wants to leave.

The family line in the film has even poked the hearts of many young viewers. Some viewers shared their stories about learning music that their parents didn’t understand, and some viewers said that the father-son line of this film was particularly real and they wanted to take their parents to feel it again.The city of Changsha has witnessed too many stories about family ties. No matter whether it is a migrant worker from a foreign land or a dream catcher who is not understood by his family, he can eat a bowl of authentic Changsha rice noodles at a food stall in the middle of the night and sit with his parents and have a good chat. Those regrets buried in his heart will be filled with love. During the May Day holiday, I took my parents into the cinema together, and let the movie "Changsha Nightlife" replace those unspeakable feelings and love.

The movie "Changsha Nightlife" will be released nationwide on April 28th.