"The Wind Rises in Longxi": There is a spy war, and you can see the character’s character.

Taking the little people’s ideal persistence as the eye of the play, and using the type of ancient costume and spy war as the loom, the wind of "Wind Up in Longxi" blew up.

Author: and song

Chen Gong, a spy on three sides, gave his life for the overall situation; Li Yan, who lost power, re-examined the development of Shu; Xun Xu, who knows all the truth, will go to Soochow to set up a new spy network. ……

 

On May 7th, the spy war of the Three Kingdoms in "The Wind Rises in Longxi" came to an end, and the finale explained the fate of all the characters. Also, through the dialogue between Xun Xu and Chen Gong, the "trap" that runs through the whole play was resumed, and Chen Gong was lonely and brave, which made the emotional concentration of the play reach a climax.

Since its launch, the plot and emotional impact of "The Wind Rises in Longxi" have been the key to attract audiences. The drama uses ancient costume and spy war as a kind of nesting machine, taking the fall of the street pavilion as a guide, and dissects the intelligence war between Shu Han and Cao Wei from two little people, Chen Gong and Xun Xu. After life and death, love and hate, they still abide by loyalty, just as director Lu Yang explained to them, "In the face of difficulties, little people can make heroic choices."

 

High-density narration, showing the tension of spy war in ancient costume

Compared with most types of dramas, spy war dramas require more details, drama concentration and story depth. The characters often stir up the times in the dark and reveal the brilliance of human nature in the narrow gap of existence. In order to meet the characteristics of this type of drama, such as spectacle, strong plot and profound conception, many classic spy war dramas on the screen, such as Vow Silent, Hidden, Kite and Pretender, choose to expand the spy sea in troubled times.

 

Accustomed to the silent battlefield in modern history, "The Wind Rises in Longxi" sets the story in the Three Kingdoms, focusing on the secret confrontation of small people under the torrent of the times, which can be said to meet the audience’s innovative expectations for spy war dramas to some extent.

 

In a spy war between Shu Han and Cao Wei, the main characters’ multiple identities kept switching, and there was a struggle between the enemy and me. The ups and downs of characters experience made the story ups and downs and the narrative was extremely compact.

 

The design of long lines and short lines in the play has played a new role in "storytelling". Finding out that Candle dragon, a Cao Wei spy lurking in Shu Han, is a long term, while breaking the bureau after the exposure of Bai Di, obstructing the Qing Ping plan of Cao Wei’s intelligence department and cleaning the secret network of Cao Wei’s intelligence department are short term.

 

The wiring and winding of short stories are not procrastinating, and each line is relatively independent and clear. As a whole, it is complex and wonderful without losing logic. On social media, some netizens described the drama-chasing experience as "the pleasure of rising and falling, and sweeping with the stand".

 

The high-density narrative of "The Wind Rises in Longxi" challenges the double-speed playing habits of current netizens, and makes the audience slow down actively with wonderful foreshadowing. In this reversal spy war, the title of each episode, the dialogue between characters and even some small shots are "hidden mystery". Some viewers have found that some bridges that are difficult to clarify at first can find the answer after two or even three brushes. For example, Chen Gong replaced Cao Wei’s identity as an intelligence agent, but he was able to quickly match the secret code with the roadside driver, laying the groundwork for his reversal as a second-generation "Candle dragon"; After the news of the death of a generation of "Candle dragon" arrived, the camera turned to Feng Ying, the head of the intelligence service. It is self-evident who moved the hand …

Color, light and shadow, props, etc. also assist the story. The turquoise tone of Nanzheng in Shu Han and the grayish yellow tone of Tianshui in Cao Wei help the audience distinguish the regional differences; Men’s beard was an aesthetic and fashion in the Three Kingdoms period, and the beard styles and lengths of different male characters in the play coincided with their personality and status. There are not many props in the indoor scene. Production designer Han Zhong explained, "In the era of frequent wars, people are displaced and the scenery is simple, so the traditional aesthetics of’ sparse and impenetrable’ is chosen to run through the whole drama."

A forbearing and enthusiastic person with insight.

Lu Yang mentioned that he was attracted by the story "The Wind Rises in Longxi" not only because of the combination of spy war and the Three Kingdoms, but also because the little people in this era had no choice but to choose in such a fierce struggle environment.

 

In the play, the protagonists have no legendary appearance, no omniscient perspective and can’t open their "golden fingers". They should maintain a highly rational mental state in extremely complicated situations, "shield" real emotional fluctuations, and even the audience should hold their breath. A scene of where will you go, a husband and wife, is moving. While Chen Gong and his wife Zhai Yue were lurking at the same time, Zhai Yue was tortured to extract a confession after being exposed, and his life was soon over. Their last farewell was all about handing over information, and the sobs belonging to the husband and wife could only be hidden in the darkness.

 

The small emotion of "suddenly venting" in the details, even if it is subtle, also shows the strength of character. In a cold environment, it reveals warm colors. The protagonists are intelligence workers who must be heartless, but also ordinary people who are flesh and blood and have weaknesses that will be fragile.

 

In the thrilling contest and the plot of life and death, the emotional relationship between characters has also been adjusted to a certain extent. The brotherly relationship between Chen Gong and Xun Xu, the in-laws relationship between Feng Ying and Sun Ling, the uncle relationship between Guo Huai and Guo Gang, and the teacher-student friendship between Chen Gong and Li Yan are the emotional ties that connect long and short stories, and they also decode spy war and "intelligence workplace" from the perspective of social relations.

 

People can’t help themselves in troubled times, but it doesn’t mean that little people will be weakened in their ideals and beliefs. Chen Gong, the "chess eye" of the two countries, was never willing to be only a tool man. At the end of the story, he became a "chess player", seeking the optimal solution for everyone while completing his tasks, even if it was at the expense of his own life.

 

Sticking to the morality in one’s heart in one’s own way is an adventure, and it is also an amplification of ordinary people’s "fearless" and "promising". This is also the subtle empathy between the audience and the role.

 

Not only Chen Gong, but Xun Xu, who made a thorough investigation of the "Candle dragon" case, also reflected the stubborn but passionate side of most people.

 

Time goes back to Xun Xu’s involvement in the whole spy war. In the dark interrogation room, he was hanged upside down and drowned. He remembered the ordinary meal he had with his brother Chen Gong and his cousin Zhai Yue. At the dinner table, he (she) who had carried out intelligence work raised their glasses and agreed, "In order to stop fighting" and "For people like you and me to live a good life".

 

Taking this as an appointment, they rushed into the world where candlelight was swaying, but they could learn from sincerity.

 

If the narrative innovation of ancient costume and spy war type nesting makes The Wind Rises in Longxi attract the audience’s attention, then showing the emotional expression of little people who persist in their ideals and maintain their morality in troubled times will retain the audience’s heart to the greatest extent.

&&The General Administration of the People’s Republic of China dispatches and promotes the broadcast arrangement of TV series in 2022 and the topic selection planning in the next few years.

Pay attention to

& & Gather internal forces and make external contributions, and promote the development of radio and television audio-visual industry base.

What industry

& & Looking back at "Ten Years in China", I feel the real world in the image.

Three images

&&Pay tribute to the workers, and these broadcasters and collectives are commended.

Miyixian

Look at Chinese football! The film channel broadcasts the national theme film "Grab the Fireworks"


Special feature of 1905 film network Speed, bravery and fierceness … … This is a contest between strength and wisdom! It is the favorite of the brave! Fireworks grabbing is a sport for the brave, and it is known as "Eastern Rugby". It is popular among Zhuang and other ethnic minorities, and it is a traditional folk sports activity with strong national characteristics. It has a history of more than 500 years.


Every year, on the third day of the third lunar month, the Zhuang compatriots will hold a "fireworks grab" on this day.



Those who grab the fireworks indicate that the next year will be rich, prosperous and prosperous, and winning the first fireworks is a symbol of a beautiful year, representing the glory and blessing of the new year.At 20: 15 pm on April 28th, the minority sports film produced by the film channel., will be the story of Zhuang youth in Yunling Town, northern Guangdong Province, participating in the city’s minority games.Xu ZhanOpen.


The life of Zhuang people in remote mountainous areas exudes a strong local flavor, which we are not familiar with at ordinary times. This film can let more audiences know about the national sport of "Fireworks Grab" and feel the new atmosphere of beautiful countryside from a small perspective.


In order to renew the store for his girlfriend, earn money to buy a house and get married, the land flying (decoration) volunteered with the simplest utilitarian motive and teamed up to represent the town in the fireworks competition.He gathered a group of idle and confused Zhuang youths together, raised the team flag in the training ground and built the Yunling Flying Leopard Team.



On the land, I flew to find some young Zhuang people with special talents, such as Iron Head Kung Ah Quan, Scud Monkey, Hercules Down Brothers, Invincible Straw Pack Four Seas, Singer Shisanlang and Orchid Finger Long Hair.These young people have their own characteristics, but they all have their own difficulties. They are not perfect and even have many shortcomings, and the fireworks competition has rekindled their hopes.



"Yunling teenagers have high ambitions, and Qi Xin works together to win fireworks."In order to prove their value, this group of "teenagers" shed sweat and enthusiasm on the training ground. In the arena, they violently robbed, hid or threw, and the atmosphere was tense, warm and exciting.


During the training and competition of fireworks, the lives of these young people have changed dramatically.Sports competition inspired their high morale and courage to work hard. They bid farewell to their past selves, and the original Yunling Flying Leopard team became a brave champion.



With the collective efforts, they gained friendship, self-esteem, love and dreams, and completed their self-growth.Sharpen a sword every ten years. The film has gone through 12 years from planning and preparation to release, and the creative team has put a lot of effort into it. 


The director of the film said: "We strive to make" Fireworks Grab "a masterpiece with ideological, artistic and commercial features."


In order to make this film well, the director is very strict in the choice of actors.In order to select the fireworks team actors with good physical quality, he requires professional actors who have played the habit and physical strength of the whole basketball game or half-court football game every week to be eligible to run for the role.


Before shooting, the director dragged all the actors to the shooting location to live and train with the local real fireworks players. After more than half a month’s study, almost all the actors were exposed to the sun. During the training, these actors gradually became real fireworks players.


In the process of shooting, all the actions of training and competition must be completed by the actors themselves. Because of the fierceness of sports competition, actors are constantly injured to varying degrees, but no one has backed out because of this, but the more they fight, the braver they become.



As we all know, sports plays are not easy to shoot, and it is even more difficult to shoot well, which is especially difficult for small-budget films.


In order to enhance the visibility of the film, the director used some skills of China Wushu for reference, designed many difficult movements with acrobatic performances, and incorporated them into the fireworks competition, which showed us the new expansion and new realm of sports-themed films. 



As an intangible cultural heritage, the fireworks grab is a folk cultural symbol and a carrier of national memory inheritance. 


The film "Fireworks Grab" not only presents the traditional custom and sports of Fireworks Grab to the audience more vividly and truly, but also promotes the inheritance and promotion of China’s national tradition and folk sports culture through the film.This era needs this kind of good film full of positive energy and giving people spiritual baptism.


For example, Tang Ke, director of the film channel creation department, said: "The biggest feature of this film is that it has achieved a mix of genres, and it is a film with real low cost, positive energy and great feelings."


Therefore, this film, which was filmed in Lianshan, Qingyuan, Guangdong Province, integrates love, sports, intangible cultural heritage, ethnic minorities and positive energy, and pays attention to the life and destiny of ordinary Zhuang people in remote mountainous areas. From the shooting to the completion of production, it has received attention and appreciation from all walks of life.


Tan Zheng, editor-in-chief of Film Art, said: "This film has fully recorded and presented the folk custom of’ fireworks grabbing’ with vivid and rich images, which is a powerful fulcrum for the development and inheritance of folk culture. In addition, it is also related to the development and protection of minority cultures, which can attract everyone’s attention and attention. "



It is reported that the creative team has donated the film copy to China Film Archive for permanent preservation, so that more people can learn about China folk sports and protect and inherit the intangible culture.


"Flying leopards in Yunling, who dare to grab fireworks, are all heroes.""Fireworks" inherits not only the sport of fireworks, but also the spirit of endless and tenacious struggle!


At 20:15 on April 28th, the movie "Grab the Fireworks" produced by the movie channel will meet with you for the first time. Let us appreciate the cultural value and spiritual charm of folk sports together!


WTT Macau Championship Guoping won two championships and Sun Yingsha and Wang Chuqin won the championship.

BEIJING, Beijing, October 23 (Liu Xingchen) On the 23rd, the 2022 World Table Tennis Major League (WTT) Championship in Macau ended. In the women’s singles and men’s singles finals, Sun Yingsha and Wang Chuqin defeated teammates Chen Xingtong and Fan Zhendong respectively to win the championship.
Before the final, the reading volume of a topic # Guoping won the men’s and women’s singles championship and runner-up in advance exceeded 60 million. It can be seen that in the intensive October, fans are very concerned about the performance of table tennis players.
Image source: Weibo screenshot
Two champions who speak with their achievements
In the eyes of fans, Sun Yingsha and Wang Chuqin have long been synonymous with "young and promising".
In the women’s singles final, Sun Yingsha and Chen Xingtong quickly entered the state. Sun Yingsha is better at grasping the key points, and plays the next game first. In the second game, Sun Yingsha accelerated the attack speed to establish a leading edge and won another game with 11:8. In the third game, Chen Xingtong’s attack on Sun Yingsha’s backhand was effective and she pulled back a city. In the fourth game, Chen Xingtong made many mistakes in the multi-beat stalemate, and Sun Yingsha won 11:6. At the decisive moment of the fifth game, Sun Yingsha succeeded in continuous attack and won the championship at 12:10.
Image source: WTT World Table Tennis Federation official Weibo
In the subsequent men’s singles final, Fan Zhendong made many mistakes in the opening, and Wang Chuqin seized the opportunity to open the score in one fell swoop, taking the lead with 11:5. At the end of the second game, Fan Zhendong continued to attack Wang Chuqin’s backhand and pulled back a city. In the third game, Wang Chuqin continued to exert his forehand and won at 12:10. In the fourth game, Fan Zhendong frequently used forehand and backhand to mobilize his opponent at the end of the game to equalize the score. In the fifth game, Fan Zhendong began to make more mistakes in the multi-beat round and lost 1-11. In the deciding game, Wang Chuqin started with a 4-0 lead. Since then, his forehand attack has been brought into play and won the game.
Image source: WTT World Table Tennis Federation official Weibo
In this WTT Macau Championship, Wang Chuqin and Sun Yingsha showed their respective dominance. In the quarter-finals, Wang Chuqin defeated veteran Malone to fight for a difficult victory. In the semi-final, facing the Swedish star Moregard, Wang Chuqin handled the ball more properly in a stalemate, defeating his opponent and successfully advancing to the final.
In women’s singles, Sun Yingsha’s opponent is equally strong, and she also shows her "big heart". When facing French player Yuan Jianan in the semi-final, Sun Yingsha responded quickly, adapted to the opponent’s high throw service, and firmly grasped the rhythm of the game. You know, Yuan Jianan did well in this competition, and defeated Manyu Wang, Ishikawa Kasumi and other famous players in succession.
After the final, Sun Yingsha affirmed the performance of herself and her teammates, and bluntly hoped to continue her excellent state to the next race.
Image source: WTT World Table Tennis Federation official Weibo
There is a need to sound the alarm behind the explosion.
Compared with winning two championships, the "surprise" suffered by China players in this Macau Championship was even more surprising, and it also sounded the alarm for the "dream team" of table tennis.
In the women’s singles 1/16th final, Manyu Wang lost to Yuan Jianan 2:3, so it was a pity that she stopped in the first round. Facing the 37-year-old Chinese veteran, Manyu Wang was tied by his opponent many times when he was in the lead. It is not difficult for fans who have watched the game to find that Manyu Wang’s state is not the best, and his mentality has changed after repeated mistakes. At the Chengdu World Table Tennis Championships, Manyu Wang once defeated Japanese famous Ito Miki in the women’s team final, and was the hero of China’s winning the championship. For her and the table tennis players, how to maintain a good competitive state in the intensive schedule is a problem that needs to be considered in the future.
The picture shows Liang Jingkun in the competition. Image source: WTT World Table Tennis Federation official Weibo
And Chen Meng, Liang Jingkun and other table tennis players also suffered a "surprise" exit. Against the Romanian player Szocos, who is not well-known, Chen Meng, ranked second in the world, was a little dull in the game, losing 11:13 in the deciding game and stopping at the quarter-finals; In the face of French star lebrun, Liang Jingkun failed to seize the opportunity when holding the match point, and was reversed by his opponent to win. Looking back at the past history, how to improve stability in "foreign wars" may become a problem that Liang Jingkun needs to pay attention to.
In addition, Malone, the captain of the national table tennis men’s team, also encountered the challenge of Qiu Dang, a famous Chinese. At the World Table Tennis Championships in Chengdu, the two had a fight, when Malone defeated his opponent 3-1. This time, the European straight star appeared more relaxed. The two sides fought hard until the deciding game, and Malone, who was more experienced, passed the test.
The picture shows Chen Meng in the competition. Image source: WTT World Table Tennis Federation official Weibo
With the polishing of the competition, players from all over the world are increasingly besieged by wolves. Everyone is looking for different ways to shake the hegemony of Guoping, which also requires China to be vigilant in the future.
The alternation between old and new is still going on.
On the afternoon of 23rd, WTT World Table Tennis Federation announced the list of 16 men’s and women’s singles players in the final of 2022 WTT World Cup in Xinxiang. Five men’s and women’s national table tennis teams were shortlisted, namely: Fan Zhendong, Ma Long, Liang Jingkun, Wang Chuqin and Lin Gaoyuan; Sun Yingsha, Chen Meng, Manyu Wang, Wang Yidi and Chen Xingtong.
It can be seen from this competition that the alternation between the old and the new is still in progress. During the Macau Championship, Malone celebrated his 34th birthday and will soon be celebrating his 20th national team career. After racing for many years, he still loves it. "Age is a number and the most precious experience, but it is by no means an obstacle to moving forward." On his birthday, he wrote on social media.
Image source: Marlon Weibo
In a table tennis civil war, Wang Chuqin defeated Malone 3-2. In the tangled situation, the young man had the last laugh. After the game, Malone’s eyes were filled with joy. In Wang Chuqin’s view, the "Dragon Team" is still the player with the strongest scoring ability in the world.
In the women’s singles semi-final, Chen Xingtong met Ito Meicheng. In the face of the Japanese star who just celebrated his 22nd birthday, Chen Xingtong showed his excellent state. After adapting to the opponent’s service rhythm, he quickly grasped the initiative of the game and successfully joined forces with Sun Yingsha in the final.
Data Map: Chengdu World Table Tennis Team Team won the Cup. Anyuan photo
From the World Table Tennis Championships in Chengdu to the WTT Macau Championship, Guoping is actively adjusting its status while adapting to the opponents from all over the world. As Qin Zhijian, coach of the national table tennis men’s team, said earlier, "We and our opponents are growing. After the Tokyo Olympic Games, many teams entered the alternation of old and new, and more young players stepped onto the world stage, showing a certain strength. "
Through competition experience, more players seized the opportunity to show themselves. The inheritance of the old and the new and the healthy competition within the team are also the traditions of table tennis. The "iron champion" needs the team member Qi Xin’s efforts to defend, and there are still many challenges waiting for Guoping in the future. In Sun Yingsha’s words, "I’ll see you next time". (End)
Reporting/feedback

Divorce has become the beginning of women’s being rejected. A cartoon reveals the social status quo of women’s poverty.

This story is based on a real case in Japan.

The 64-year-old Dalin Sanzuo was forced to sleep on the street for social reasons. On the morning of November 16th, she was attacked and killed by Yoshida Kazuo while taking a nap at the bus station. Yoshida and Dalin did not intersect, just because of the absurd reason that "she sat at the bus stop and blocked my eyes", an innocent woman was killed.

The social problems behind the incident came to the fore in an instant. The dilemma of "female poverty", which has accumulated in the hearts of the public for a long time, has been put in broad daylight. Japan’s "women don’t have to earn money to support themselves, seemingly caring, but actually depriving women of the opportunity to survive." Although there is no such phenomenon in China, it is difficult for women to find a job from the age of 28 to 35. Whether married or unmarried, with or without children.

Companies always worry that women will delay their work for the sake of their families, and eventually they would rather choose a man with an average resume than take the risk of choosing a woman with excellent work. In order to make a living, women can only work hard or lower their job search standards in employment. The decrease of marriage rate and fertility rate also reflects the rise of women’s thoughts.

Protecting women’s rights and interests so that women can survive in an equal competitive environment is the best social security.

# Headline Creation Challenge #